Iron Photographer, qu’est-ce que c’est? Think Iron Chef…only with photography. Iron Chef, if you’re not familiar with it, was probably the original televised cooking competition. Starting back in the 1990s, the show required contestants to improvise a multi-course meal around a surprise theme ingredient–asparagus, for example, or eel, or peaches. The chefs had to be creative and resourceful.
Back in 2006, at the dawn of the digital photography era, in a Flickr group called Utata, we decided to purloin that concept and apply it to photography. Instead of a theme ingredient, Jamelah Vincent (@jamelah.bsky.social) and I provided three photographic elements and challenged our group members to use them to create an artful photograph. After more than 250 Iron Photographer challenges, we retired the project.

Now we’re bringing Iron Photographer back on Bluesky. On the 1st and 15th day of each month, we’ll post the three elements of a new IP challenge.
Unlike the Iron Chef model, Iron Photographer is NOT a competition. There are no winners, no losers, no judges. It’s simply a challenge; an invitation to stretch your imagination and creative skills.
Usually (but not always) the challenge is comprised of two compositional elements and one artistic element. For example, 1) something with stripes, 2) a food item, 3) shot slightly out of focus. The challenge is to find a way to photograph those three elements in an expressive way. It doesn’t have to be Art; but it should be artful, if that makes sense.

Every photographer interprets the compositional elements for themselves. You decide on the food item (I chose an apple; you might choose an egg, or a chuck roast, or some tofu, or a handful of chia seeds), you decide on the thing with stripes (I picked a shirt; you might choose a lawn chair, or a beach towel, or a tabby cat). The compositional elements are usually broad and expansive enough to provide the photographer with lots of options. You can almost always find–and photograph–the IP elements in your home or apartment.
The artistic element, on the other hand, is meant to be fixed, though it’s often flexible. You decide what “slightly out of focus” means, but the shot MUST be slightly out of focus. If the third element is ‘Dutch angle,’ you decide HOW tilted the frame should be. On the other hand, if the artistic element is ‘square format’ then the format has to be square. Not squarish; square.
Jamelah note: Sometimes you just rip off Greg’s idea because you can’t help yourself.

That’s basically it. That’s all there is to it. Iron Photographer is really that simple. And really that complex and convoluted, because while the photograph has to feature the selected compositional elements, it’s not limited to those elements.
For example, in the photograph below the three elements are: 1) a plastic bag, 2) the color red, 3) shot in square format. Again, the only concrete element is the square format. You decide what constitutes a plastic bag and you decide on the red thing, but you can also include any elements you think might contribute to the photo.

I chose a weirdly racist plastic wrapper of a fortune cookie. Is that really a bag? I say it has enough ‘bagness’ to qualify. You may disagree. For the red element, I used some mesh that held some apples from the fruit market. But the purple latex glove? The bit of blue ribbon? I included that stuff simply because it pleased me.
I found Iron Photographer to be a creative Get Out of Jail Free card. You can do whatever you want. It doesn’t have to make sense.

Let me repeat that: it doesn’t have to make sense. That, to me, has always been the most wonderful thing about Iron Photographer. There’s NO LOGICAL REASON FOR THESE PHOTOGRAPHS TO EXIST. There’s absolutely no earthly reason for Jamelah to balance herself on the side of a bathtub with an umbrella–except for Iron Photographer. If you participate in this gig, you WILL take photographs nobody has ever taken before. Guaranteed.
Jamelah Note: One thing about Iron Photographer, aside from the other things, is that if you let it, it’ll push you to try things that don’t seem like a great idea, but you just want to see — maybe I could do this? For example, I tied a ladder to the ceiling because I wondered if I could tie a ladder to the ceiling. When the elements for this particular challenge — 1) an umbrella, 2) a chair, and 3) Polaroid-ish — came together, I immediately started thinking about umbrellas open indoors and bad luck and then I spent an afternoon using jute twine to tie a pretty damn heavy wooden step ladder to some plant hooks in my living room ceiling and wound up with this. As I like to say, stand back. I’m being weird.

You’ll also find yourself thinking about the elements. How do you interpret them? How can you combine them in an artful way? A table, something tough, weird shadows. A table is a table, and shadows are shadows…but what does ‘something tough’ mean? What is tough? An old boot, sure. Maybe a 3000 piece jigsaw puzzle. Or a musical score that’s difficult to play. What about a piece of an old movie poster with legendary tough guy Jimmy Cagney? YOU get to define ‘tough.’

Iron Photographer encourages you to try new and weird things. It prompts you to find creative ways to combine disparate photographic elements that may not appear to go together. It gives you permission to try crazy shit. Iron Photographer is less about taking photographs than making photographs.
And best of all, photographers at any skill level can participate. Beginners, advanced amateurs, professionals, it doesn’t matter; all you need is some imagination and a camera.
Jamelah Note: Iron Photographer offers an opportunity to learn new techniques and figure out how to make them work. Never tried noir or processing in sepia or cinematic aspect ratio or lightpainting? Iron Photographer will give you a chance.






