Okay, I probably should have mentioned this when it was announced. But that was a month ago, back in the middle of April, at the beginning of morel season, so I was busy. And there was something else going on at the time, though I can’t recall what it was. My guess is it was probably bicycle-related.

Anyway, I forgot about it until last week when Ruth Greenberg emailed me. She wanted to let me know she’d received a royalty check for a book we sorta kinda wrote together. That was back in…I don’t know, the distant past. I was in graduate school at the time, so it must have at least twenty years ago. I could do the math and figure out the date, but it doesn’t much matter.

The check was for 94 cents.

I’ve moved at least half a dozen times since the book was published, and I’ve never bothered to let the publisher know my new address. In fact, I think that publisher has been swallowed whole by another publisher–and I’m not even sure who they are. This accounts for why I didn’t get my US$0.94 royalty check.

But that email last week reminded me of another writing thing…which is the thing I referred to in the first paragraph, the thing I probably should have mentioned back in April but obviously didn’t. So I’m going to mention it now.

A short story I wrote–and which was published in Ellery Queen’s Mystery Magazine last autumn–won an award. Every year various groups hand out various awards for mystery and detective fiction. Most of those are nominated by…well, okay, I admit I don’t know how the nomination process works. Doesn’t matter. I’ve only been nominated once, about a million years ago, for something called a Shamus award. I didn’t win, so I didn’t pay much attention to it (I’m beginning to sense a pattern here). Anyway, nominations are made, a panel of judges read the work, choose the winner, hand out an award. It’s sort of a big deal.

The award I won wasn’t that sort of award. What I won was a Reader’s Award. You know, where readers write in and name their favorite stories of the years. And actually, I didn’t win that award either; I came in third.

When I got the email telling me I’d come in third in a Reader’s Award, I thought, “Hey, that’s nice.” And that was basically it. I mean, I’d already been paid for the story; that was reward enough. But I was asked to submit a 1-2 minute video acceptance speech for the award (which was being held virtually because of the damned pandemic). My response was basically a casual “Sure, why not?” But thinking about an acceptance speech made me actually stop and think about the award itself, and about the readers who’d read the story and voted for it, and about writing.

Let me be clear about this whole writing gig. It’s just something I do. I enjoy the act of writing. I like the process of writing. It entertains me and gives me pleasure. I like the discipline involved. Most of what I write (this blog, for example) I write for an audience of one–me. Writing this blog forces me to put my thoughts in order, which forces me to support whatever crap I’m writing about. I usually spend a LOT more time thinking about stuff than writing about it. For this blog, I like to write quickly and casually, and edit almost nothing.

But sometimes I write short fiction for money. That means writing for other people. It also means writing more carefully. Because a writer’s job is to give a reader a good experience. Not necessarily a pleasant one, or a happy one, but an experience they find worth the investment of time it takes them to read the story.

But here’s the weird thing. Once I finish writing a piece of fiction, I seem to lose all emotional attachment to it. I’ve done what I wanted to do with it, I’ve written the story, and now it’s done. I submit the story to a magazine; they either accept it (and send me a check) or reject it (and send me a rejection letter), but that’s their job. My job is over. Time to do something else. The finished story is old news; it just doesn’t seem very important anymore.

But I had to give an acceptance speech, right? So I had to think about all that stuff. I mean, yes of course I was writing for an audience, but it was a theoretical audience. Not actual people, sitting at home, drinking coffee and letting the cat shed on their sweaters. Suddenly, they’d become very real to me. I mean, the notion that strangers would read something I wrote–that they’d read it and remember it–that they’d care enough about the story to vote for it in an annual contest? That’s just…weird. It made me oddly emotional.

So I made an acceptance video. Okay, that’s a lie. I made like six of them. First, I did a quick practice video just to see if I actually knew HOW to make a video. Set up my chromebook, turned it on, nattered off the top of my head for maybe 90 seconds, then watched it. It was…well, embarrassing.

So I wrote out a short script saying the things I wanted to say–and shot a second video. That taught me to pay attention to the background (as a photographer, you’d think I’d know that). So I started moving things around, re-arranging furniture, shifting stuff around so it wouldn’t appear I was sitting in the basement, where I write in the evenings. I shot a few more videos.

They were fucking painful to watch. I mean, I was trying to present myself as a writer, and I was semi-reading from a script. It all looked unnatural. So in the end, I sent them my practice video–me nattering on, sitting at my basement desk, unrehearsed and stupid, thanking strangers for voting me the third most popular story for this particular magazine last year. But at least it was honest and authentic. So there’s that.

Anyway, here it is, for your entertainment. The whole thing is about 18 minutes long, which is a LOT to watch. I get introduced at about the 5:30 point. My awkward basement practice acceptance video kicks in somewhere around the 7:30 point.

Oh, yeah…the story. Janet Hutchings, the editor, introduces it in a way that makes it sound significant, portentous. When I submitted it, I was at a loss for how to describe it. It’s a detective story, of course, about the rights of street photographers. But yeah, it’s also about racial profiling. And about a missing teen-aged girl. But it’s also about the movie Under the Tuscan Sun, which I happen to think is important to the story. And I don’t know, it’s maybe about some other stuff too. Who knows?

Anyway, I probably should have mentioned this back in April, when it was announced.