scary-looking guns

So I watched yesterday’s Senate hearing on gun safety (or as Wayne LaPierre would call it, Gun-Grabber-Palooza). I was pleased to see a woman on the panel of experts. Yes, Gayle Trotter is a gun rights advocate, but at least it was a break from the usual panel of white middle-aged men. I was looking forward to what she had to say.

Here’s a true thing: I generally expect women to be more reasonable than men. More practical, more thoughtful, more grounded in reality. I think that’s true much of the time. Not yesterday. Yesterday Gayle Trotter’s testimony was misleading at best; at worst it was irrational and — there’s no nice way to say this — stupid.

gayle trotter

gayle trotter

Much of her testimony was an impassioned defense of assault-style weapons. She testified,

[W]omen are speaking out as to why AR-15 weapons are their weapon of choice. The guns are accurate. They have good handling. They’re light. They’re easy for women to hold. And most importantly, their appearance. An assault weapon in the hands of a young woman defending her babies in her home becomes a defense weapon. And the peace of mind that a woman has as she’s facing three, four, five violent attackers, intruders in her home, with her children screaming in the background, the peace of mind that she has knowing that she has a scary-looking gun gives her more courage when she’s fighting hardened, violent criminals.

That’s her argument. A woman needs a scary-looking gun when she and her children are being attacked in their home by multiple hardened, violent criminals. Trotter even told the story of Sarah McKinley:

Home alone with her baby, she called 911 when two violent intruders began to break down her front door. The men wanted to force their way into her home so they could steal the prescription medication of her deceased husband, who had recently died of cancer. Before the police could arrive, while Ms. McKinley was on the line with the 911 operator, these violent intruders broke down her door. One of the men brandished a foot-long hunting knife. As the intruders forced their way into her home, Ms. McKinley fired her weapon, fatally wounding one of the violent attackers and causing the other to flee the scene.

That’s a sad and scary story. And it actually happened. But not quite in the way Trotter suggests. The fact is, Sarah McKinley didn’t use a scary-looking assault rifle to protect herself. She used a Remington 12 gauge shotgun — a weapon that wouldn’t be regulated under the new proposed gun control laws. Although Trotter didn’t actually state McKinley used an AR-15 to defend herself, she certainly suggested it. Her testimony was deliberately misleading.

But it was her irrational and stupid testimony that was, in my opinion, more deleterious. She argued that women need firearms to counter the superior strength and size of a male attacker. That sounds logical, doesn’t it. After all, men do tend to be bigger and stronger than women. Men do tend to be the aggressor in domestic disputes. So surely a woman having access to a firearm would make her less vulnerable. Right?

No. Not right. This is where being trained as a criminologist comes in handy. Here are some actual facts:

  • Relatively few incidents of violence against women involve strangers; their attackers are almost always men with whom they are close: boyfriends, husbands, fathers, etc.
  • Research shows men who batter women frequently use firearms to scare them, threatening to shoot them, or shoot their children, or shoot their pets. In other words, abusive situations often begin with men already holding a firearm.
  • Most incidents of domestic violence occur under circumstances in which women are attempting to reduce the tension; they’re trying to avoid a fight. When somebody does reach for a weapon, it’s almost always the man.
  • In the last wide-ranging study that looked at the use of firearms in domestic violence, the data revealed that for every instance in which a woman used a gun to successfully defend herself there were more than eighty instances in which a woman was murdered by her abuser.

By the way, that study was done in the late 1990s. It was the last such study because in 1996 NRA-supported Republican Members of Congress passed a law banning the use of federal funds for research that promoted gun control — and since any research that might suggest guns were a hazard could be interpreted as promoting gun control, all such federal research was halted.

Once you actually unpack Gayle Trotter’s argument that guns make women safer, once you look at real world data, it becomes clear her argument is…well, irrational and stupid. In her testimony, Trotter cites ‘research’ which she claims supports her argument. The work she cites is a book called More Guns, Less Crime, by John Lott. A panel of sixteen scholars under the aegis of the National Research Council examined the claims made by Lott; fifteen of them found his claims to be either invalid or unconvincing. It’s also worth noting that Lott, when his findings were criticized on several websites, used ‘sockpuppet identities’ to support his claims.

john lott

john lott

In other words, John Lott is perhaps not the most reliable of sources when it comes to firearm statistics.

Let me also say this: there ARE some valid and logical arguments that can be made against the suggested ban on assault-style weapons. It’s true some weapons that would be affected under the proposed ban are on the list for no other reason than because they’re scary-looking. But any valid arguments are undermined when gun rights advocates present testimony that is deliberately misleading or simply stupid.

walking

I don’t really like to go walking in the morning. I like to wake slowly. Maybe read a bit before I get out of bed. I like to ease into the day. Drink some juice, eat my morning Advil, have a cup of coffee with too much sugar and too much cream. I like my mornings comfortable. I like my mornings unhurried.

So it makes no sense whatsoever for me to rise early, dress hurriedly, skip my juice and coffee (but not my Advil), and head out for a long walk — especially when it’s damp and chilly. Which is what I did yesterday. But you know…fog and mist, dude. Fog and mist.

why my shoes were muddy

why my shoes were muddy

I don’t like to walk in the morning, but I do like to walk in fog and mist. And since those conditions occur more frequently in the morning — well, there it is.

I like to walk in the fog and mist because they smooth things. They soften the corners of things, they plane off the sharp edges. They make the world soft and a wee bit vague. Fog and mist elevate the ambiguity of the world — everything seems less solid, more forgiving. Less harsh, more indulgent. More romantic, and I mean romantic in the medieval sense of the term. Open to adventure and mystery and imagination.

rail bed

rail bed

I enjoy purposeless walking. I don’t walk for exercise, and unless I’m on an errand, I rarely walk with a destination in mind. Well, that’s only half-true. It’s not uncommon for me to walk to or toward a specific location, but that location isn’t really a destination. I’m not going to that spot for any particular reason. In fact, I’m not really going there at all. It’s just a vague geographical marker, a reminder to suggest I should consider turning around and heading homeward.

I rarely have anything that resembles a schedule, but I always have work to do. Taking a walk gives me a pleasant interruption during my day; walking idly toward a specific fixed point provides me with a very flexible timetable. If I want to walk for, say, an hour, I have a general sense how far I’ll walk in thirty minutes. I know, for example, that it will take me about forty minutes to reach the heliport (which, okay, isn’t really a heliport at all — it’s just a concrete slab that was probably the foundation of some sort of shed, but I’ve never felt any overpowering compulsion to adhere strictly to reality). So when I get close to the heliport, I can decide to turn around and begin walking vaguely in the direction of home. Or I can keep walking. It’s a system.

heliport

heliport

Even though I often walk with a camera tucked away in a pocket or in a bag slung over my shoulder, I’m usually not walking to shoot photographs. I’m normally not actively looking for things to photograph. I’m just walking. With a camera. On the vast majority of my walks, the camera never leaves my pocket or bag. I do sometimes go on photo-walks, but that’s a whole nother thang.

For me, most of my walks are a form of meditation. I generally walk mindfully, as Buddhists like to say. When I was part of a Zen community in Washington, DC the roshi explained mindfulness to me; he said it was the quality of being in the immediate moment, fully aware and cognizant of what’s going on around you, but not involved in it or with it. I was able to tell him, “Dude, I was a private investigator for seven years; I did a lot of surveillance; I’ve got seven years of practice at being mindful.”

So as I walk I notice a lot of stuff. Birds, the condition of a passer-by’s shoes, signs in windows, bits of paper being shuffled along by the breeze, the breeze itself. I can notice stuff and appreciate it without being distracted by it. I don’t feel any need to try to ‘capture’ it with a photograph.

i saw this stick

i saw this stick

But at the same time, it usually registers when I see something that might make an interesting photo. Sometimes it only really registers after I’ve taken a few steps. It’s like my brain sends up a flare and it takes a moment for the flare to rise high enough for me to see it. Dude, you just walked by some interesting graffiti — you might want to turn around and take a look. Like that.

It sounds almost robotic in a way, though it doesn’t feel that way. I mean, it’s as if there’s some sort of algorithmic process taking place below the conscious level. A quiet decision-making process I can mostly ignore. Dude, you just stepped in some mud. “Is that important? If ‘no’ then keep walking; if ‘yes’ then stop and clean shoes.” Naw, not important. “Keep walking. Will it be important later? If ‘no’ keep walking; if ‘yes’ walk on the grass” Yeah, it might important later when I get home. “Walk on grass.”

Everybody has those internal discussions. Don’t they?

eight ball

eight ball

This is why most of my walks are solitary. If I’m with another person, there’s a social obligation to interact. I like walking with other people, don’t misunderstand me. It’s just a different experience. And not always a pleasant one — for them, that is. I usually have a good time. But as I said, I walk fairly slowly. More an amble than a walk. A stroll. A meandering stroll. And I stop now and then. And I comment on stuff. “Do you smell cinnamon?” “That woman had the most extraordinary eyebrows.” “Did you hear that? Black-capped chickadee.” “Sign painters should be required by law to learn the rules of apostrophization.”

I can be annoying on a walk.

powerball

powerball

Yesterday morning on my walk I noticed the lottery jackpot was US$130 million. This afternoon I think I’ll walk toward one of the local convenience stores. Maybe I’ll stop and buy a lotto ticket. There’s one about fifteen minutes away, one about twenty-five minutes away, and another about forty minutes away.

This is what passes for a scheduling decision in my life.

jesus and gun safety

I’m not a Christian; I need to say that right up front. I’m not a Christian, but I’ve read the Bible — both the Old and New Testaments. I’m not a Christian, but I respect the teachings of Jesus. So I was more than a little bit surprised when I was sent a link to this article in the National Review Online: The Biblical and Natural Right of Self-Defense.

The author, David French, makes this the the basic premise of his argument:

Simply put, self defense is a biblical and natural right of man.

He then cites passages in the Old and New Testaments that he suggests supports his argument. I won’t debate his Old Testament arguments because the Old Testament is full of behaviors we no longer tolerate in modern society (like animal sacrifices and slavery). But I can’t help but wonder about his use of the New Testament to support his notion that Jesus would support the Second Amendment.

jesus, armed

French mentions that the disciples of Jesus carried weapons, and that they did it on his command. And hey, he’s right. In Luke 22 Jesus does, in fact, tell his followers to purchase some swords.

Then said he unto them, But now, he that hath a purse, let him take it, and likewise his scrip: and he that hath no sword, let him sell his garment, and buy one.

Let’s put aside the argument that in the original Attic Greek (the language in which the Gospel of Luke was written) there’s some dispute whether there’s actually any mention of a ‘sword’ at all. According to Strong’s Concordance, the Greek word μάχαιρα is the term under discussion. That apparently translates into machaira, which leads to the question: just what the hell is a machaira? Homer (yes, that Homer — the guy who wrote the Iliad and the Odyssey) described a machaira as a knife; Xenophon (another ancient Greek) indicated it was a long knife or short sword useful for cavalry. Both of those men lived a few centuries before Jesus was born, and nobody seems really sure what was considered to be a machaira at the time Luke was written (which was around a century after Jesus died). But for the sake of this discussion, let’s agree to assume it’s a sword.

So the question you have to ask is why? Why did Jesus want his followers to have swords? French would have you believe the answer is self-defense. But if that was the case, why would Jesus think two swords was enough to defend thirteen people?

And they said, Lord, behold, here are two swords. And he said unto them, It is enough.

Jesus may not have been a great military commander, but he wasn’t stupid. He had to know two swords in the hands of his untrained followers would be useless against Roman legionnaires. So why would he think two swords were enough for his purpose?

It would depend on what his actual purpose was. If you’re a Christian, I’d suggest the answer lies in the passage that lies immediately between the two I just quoted:

For I say unto you, that this that is written must yet be accomplished in me, And he was reckoned among the transgressors: for the things concerning me have an end.

In other words, in order to fulfill the scriptures Jesus had to be viewed as a transgressor and arrested. It seems likely he intended to provoke the authorities into arresting him. He’d done something similar a few days earlier; that fuss with the money-changers in the Temple was clearly a provocation. Wandering around with some armed followers could be an effective way of getting the Romans to act.

jesus, child, and glock

If Jesus had intended the swords to be used in self-defense, then he wouldn’t have prevented them from actually being used for self-defense — which is exactly what he did later that evening. When the Romans came to arrest him, one of his disciples drew his weapon and separated a slave from his ear.

  And, behold, one of them which were with Jesus stretched out his hand, and drew his sword, and struck a servant of the high priest’s, and smote off his ear.
Then said Jesus unto him, Put up again thy sword into his place: for all they that take the sword shall perish with the sword.
Thinkest thou that I cannot now pray to my Father, and he shall presently give me more than twelve legions of angels?
But how then shall the scriptures be fulfilled, that thus it must be?

Again, Jesus is saying he has to be arrested and punished in order for the scriptures to be fulfilled. The swords weren’t for fighting; they weren’t for self-defense; they weren’t for personal protection. If he needed personal protection, he says he could hit up God for a dozen legions of angels. That’s a LOT of angels. So it seems probable the swords were intended to incite the authorities to act. A lot of non-violent religious leaders have used similar tactics — Gandhi forced the British to arrest him, Martin Luther King forced the police to arrest him.

It’s also worth recalling that after his disciple smote off the slave’s ear, Jesus re-attached it. Still later, when he’s presented to Pontius Pilate to answer for his ‘crimes,’ Jesus specifically says his followers are not fighting and defending themselves. Pilate asks him if he’s the King of the Jews. And what did Jesus say?

Jesus answered, My kingdom is not of this world: if my kingdom were of this world, then would my servants fight, that I should not be delivered to the Jews: but now is my kingdom not from hence.

If my kingdom were of this world, then would my servants fight. That seems pretty clear. At no point in the Bible does Jesus ever advocate violence; not in self-defense and certainly not in defense of property.

  But I say unto you, That ye resist not evil: but whosoever shall smite thee on thy right cheek, turn to him the other also.

And if any man will sue thee at the law, and take away thy coat, let him have thy cloke also.

Nonviolence, even in the face of monstrous brutality, was the hallmark of early Christianity. All those early Christian martyrs didn’t inspire their followers by going all Bruce Willis on the Romans. They did it by courageously applying their faith even when it meant their certain death; even when it meant the deaths of their loved ones.

David French, in his article, says:

The idea that one is required to surrender his life — or the lives of his family, neighbors, or even strangers — in the face of armed attack is alien to scripture.

Sorry dude, it’s not only NOT alien to scripture, it’s essential to scripture. It’s fundamental to Christianity. If French wants to ignore the New Testament in favor of the much harsher Old Testament, I’m okay with that — so long, of course, as he’s consistent and is willing to exact appropriate punishment for folks who refuse to leave grapes in their vineyard for the poor to gather (Leviticus 19:10) and makes immigrants as welcome as natives (Leviticus 19:34).

But if he’s going to bring Jesus into it, I think he’d do well to actually read what Jesus is supposed to have said and believed:

  Thou shalt love thy neighbour as thyself. There is none other commandment greater than these.

And the scribe said unto him, Well, Master, thou hast said the truth: for there is one God; and there is none other but he:

And to love him with all the heart, and with all the understanding, and with all the soul, and with all the strength, and to love [his] neighbour as himself, is more than all whole burnt offerings and sacrifices.

And there it is. It’s pretty pathetic that a non-Christian should have to remind David French of that.

the integrity of theft

Whenever somebody asks me about ‘my work’ I automatically assume they’re talking about writing, not photography (although it now occurs to me that I almost never discuss writing on this blog — which is probably something I’d think about if I was even remotely self-reflective). I don’t think of photography as ‘my work.’ I don’t even think about it in terms of ‘my photography.’ I think about it as ‘the photographs I shoot,’ which is a subtle but meaningful distinction. At least it’s meaningful to me.

Don’t get me wrong; I take photography seriously. I just don’t take myself seriously as a photographer. So it feels odd to me to write about the photographs I shoot. But a few days ago I mentioned I received an email in which I was asked the following questions:

I guess what I’m asking is how do you develop a personal photography project? Do you just pick a thing and start taking picture of it? Do you make up rules or guidelines before you start? How do you start a photography project?

I decided to take the questions seriously and try to answer them — at least insofar as the three photo series I’ve included on this site. Last time I talked about the Traffic Signals series. Today I’m going to explain the origins of the Faux Life series.

My blindness to what was going on, led me to act by them in a way that I must always be ashamed of, and I was very foolishly tempted to say and do many things which may well lay me open to unpleasant conjectures....

My blindness to what was going on, led me to act by them in a way that I must always be ashamed of, and I was very foolishly tempted to say and do many things which may well lay me open to unpleasant conjectures….

I blame Richard Prince. If you’re not familiar with Prince, he was the first photographer whose work sold for more than a million dollars. What made that amount even more staggering is his work was also the work of commercial photographer Sam Abell. Does that sound confusing? That’s because it is.

Sam Abell photographed the famous Marlboro Man advertisements. What Richard Prince did was re-photograph some of those advertising images. He removed the text, printed them very large, then presented them as a comment on American culture.

Afterwards he got worse, and became quite my shadow.  Many girls might have been taken in....

Afterwards he got worse, and became quite my shadow. Many girls might have been taken in….

Some folks would call that theft; Prince called it appropriation art. The idea is that by removing the image from its original context, new layers of meaning can be attached to the work. Abell’s original photograph was intended to create an association between Marlboro cigarettes and the robust life of a manly cowboy living and working in an idealized vision of the Old West. It was, in effect, a lie. A double lie, in fact. It not only associated smoking with a healthy lifestyle, it also invoked a nostalgic vision of an American West that never really existed. It was a lie used to sell cigarettes.

Richard Prince removed the Marlboro Man from that original context. In doing so, he gave the photograph a radically different interpretation and a different meaning. It became a comment on commercialism. The viewer has a different experience when looking at the re-photographed photograph — he’s no longer being sold a product, he’s being introduced to the idea of using romance as a marketing tool. Prince would argue that this, in effect, makes it a different photograph.

The key was in the door, and she had a strange fancy to look into it; not, however, with the smallest expectation of finding anything, but it was so very odd, after what Henry had said.

The key was in the door, and she had a strange fancy to look into it; not, however, with the smallest expectation of finding anything, but it was so very odd, after what Henry had said.

That concept — that simply by shifting the context of an image it can be turned into an entirely new image –fascinated me. It still does, in fact. I’m appalled that Prince made millions of dollars off Abell’s work, but I have to admit that even though the photographs of Abell and Prince are essentially the same, they DO have a different meaning — and Prince’s image is more interesting.

Anxious and uneasy, the period which passed in the drawing-room, before the gentlemen came, was wearisome and dull to a degree that almost made her uncivil.

Anxious and uneasy, the period which passed in the drawing-room, before the gentlemen came, was wearisome and dull to a degree that almost made her uncivil.

I decided I wanted to play around with the concept of appropriation art. By coincidence, as I was knocking around ideas for an appropriation project, Buffy the Vampire Slayer came on television. I’m a long-time, devoted fan of the Buffy television series. It occurred to me that Joss Whedon had, in effect, appropriated the vampire concept and turned it on its head by shifting the role of vampire slayer from the traditional virile and sober-minded male to a bubble-headed Valley Girl cheerleader. The television show used the tropes of vampire movies to examine the life crises of high school students.

He had suffered, and he had learned to think: two advantages that he had never known before; and the self-reproach arising from the deplorable event in Wimpole Street, to which he felt himself accessory by all the dangerous intimacy of his unjustifiable theatre, made an impression on his mind....

He had suffered, and he had learned to think: two advantages that he had never known before; and the self-reproach arising from the deplorable event in Wimpole Street, to which he felt himself accessory by all the dangerous intimacy of his unjustifiable theatre, made an impression on his mind….

So I decided to steal Buffy. I mean appropriate Buffy. But I discovered it wasn’t enough to extract one particular moment from a television episode. It wasn’t enough to shift color photography to black and white. It wasn’t enough to manipulate the shadows. That certainly changed the image, but it didn’t really add any meaning to the image.

It needed something else. And by still another coincidence, I was engaged in an ongoing discussion with a friend about the novels of Jane Austen. I was arguing that you could read her novels as detective stories in which the modern notion of crime was replaced with social deviance. Murder was replaced by incivility. Jane Austen’s protagonists were all keen observers of life, all had a detective’s eye toward detail.

We cannot help ourselves. We live at home, quiet, confined, and our feelings prey upon us.

We cannot help ourselves. We live at home, quiet, confined, and our feelings prey upon us.

So there it was. I would steal an out-of-context moment from Buffy (or the spin-off series of Angel), then I would steal an  out-of-context line from a Jane Austen novel, after which I’d combine them with the intent of creating something altogether new. I hoped to give a new meaning to both the image and the text.

It was a lot harder than I thought it would be. I wanted to catch moments of visual drama. I wanted there to be some compositional tension within the frame. But I also wanted to be sure the faces of the characters were obscured. If the viewer sees Buffy, I reasoned, then the photograph becomes all about Buffy. There was, as you can imagine, a great deal of Photoshop work involved.

Once I had the photograph, I needed to search the novels of Jane Austen to find an appropriate line. It had to be a line that, when associated with the photograph, would convey a completely different meaning than it did in the story. And yet the line still had to be congruous with the image.

It took a lot of searching. Jane Austen did not write short novels.

The invitation was refused.

The invitation was refused.

There are now just over thirty photographs in the series. That seems like a nice size for a project. I keep thinking about returning to the series and adding new images, but it would just be for my own amusement. As an experiment in appropriation art, the series is complete. I did what I wanted to do, I’ve learned what I wanted to learn.

The project convinced me that appropriation is a valid art technique. It’s certainly ethically dodgy if the appropriator is making buttloads of coin off another person’s original work. But the technique of appropriation itself has artistic integrity.

Or at least that’s what I tell myself.

what you need to ignore for this to work

I keep seeing phenomenally stupid shit like this from Second Amendment absolutists. Hitler imposed gun control, then created a totalitarian state and killed everybody!! Obama wants to impose some gun control measures!! Obama and Hitler are exactly the same!!!

hitler gun control

Let me just say I have nothing personal against stupid people. Some of my best friends are stupid. On occasion, I’ve been known to be stupid my ownself. But Jeebus on toast, guys, does anybody really need to be THIS stupid?

See, here’s the problem with the whole ‘Hitler imposed gun control’ meme. In order to make that claim, you have to ignore a LOT of the historical record. Document archives,  contemporaneous newspaper articles, history books — you just have to ignore them. All of them. You have to ignore a buttload of stuff that happened even before Adolf Hitler came to power. And then you have to ignore what Hitler actually did. That’s a whole lot of serious ignoring.

obama hitler 2

For example, you have to ignore the basic fact that Germany lost World War One. The Great War. The War to End All Wars. You know…the war you saw in Season Two of Downton Abbey. You have to entirely ignore the fact that the Treaty of Versailles imposed strict limitations on the German military AND on the amounts and types of weapons that Germans could own, as well as regulating shooting clubs. To comply with that treaty, the post-war German government passed the Regulations on Weapons Ownership act, which declared:

“[A]ll firearms, as well as all kinds of firearms ammunition, are to be surrendered immediately.”

Got that? All firearms and all ammunition. Surrendered. Immediately. Now that’s some serious gun control, right there. But you have to ignore that for this ‘Obama is Hitler’ business to work.

A decade later, in 1928, some of those restrictions were eased. The German government passed the Law on Firearms and Ammunition, which allowed German citizens to possess personal firearms. But they didn’t make it easy. You had to obtain a permit to own a gun. You had to obtain another permit to sell a gun. You had to have a different permit to carry the gun. And, of course, all of those guns had to be registered. But you have to ignore all of that, remember, if you want to buy the Obama = Hitler concept.

obama hitler

So there was all of that gun control, and Adolf Hitler had nothing to do with it. Hitler didn’t become Chancellor of Germany until 1933. Did he then impose stricter gun control? Nofuckingway. He relaxed them. Well, only for members of the Nazi Party, true. They no longer needed a permit to buy or carry a handgun. But it was the first step.

Hitler did nothing else for five years, then in 1938 the Nazis passed the German Weapons Act. Gun control, right? Nofuckingway. The new law eased gun restrictions even more. The law reduced the legal age for gun ownership from 20 to 18 years. It no longer required German citizens to obtain a permit to buy and possess rifles and shotguns. Permits to carry those weapons were extended from one to three years. All limits on the number of weapons or the amount of ammunition were eliminated. Firearms still had to be registered, but now any German citizen could get one. But you have to ignore all that, remember, to meet the ‘Obama and Hitler, brothers in gun control’ notion.

Later in 1938, the government enacted the Regulations Against Jews’ Possession of Weapons Act, which essentially prohibited Jews — even those who were citizens of Germany — from owning weapons. Yay, finally something Second Amendment absolutists don’t have to ignore. Gun control!

Of course, they still have to ignore the fact that by that time Jews were also prohibited from being employed by the government, from practicing law, from practicing medicine on Gentiles, from teaching, from marrying or having sexual relations with persons of ‘German or German-related blood,’ from holding public office, from serving in the military, from voting, from being citizens. Not to mention the fact that Jews were required to carry special Jewish identity cards and wear yellow stars on their clothing. Denying them access to firearms was just one of the rights Jews were denied. That stuff, you have to ignore in order to play ‘Obama, Hitler — what’s the difference?’.

obama hitler again

Second Amendment absolutists would have you ignore the historical record and believe Adolf Hitler imposed strict gun control on the German citizenry. They’d have you believe Hitler was able to become the supreme leader of Germany because the populace had been disarmed. They’d have you believe that if the people of Germany had been armed, the Holocaust would never have happened.

That’s complete and utter bullshit. Adolf Hitler became the supreme leader of Germany because the German people adored him and elected him. He didn’t slaughter millions of innocent people because they were unarmed; he slaughtered them because the citizenry allowed him to do it. And while Hitler did forbid Jews and communists and Romani people from owning weapons, that was just one of the human rights they were deprived — all with the  consent of the people.

But you need to ignore all that in order to accept Obama as Hitler.

obama nazi

To compare President Obama’s small, sensible steps toward some minimal firearm safety legislation to Hitler’s practices isn’t just offensive, it’s profoundly stupid. It’s stupid on several levels. And somewhere around the lowest level of stupid, you find the folks who aren’t even able to keep their totalitarian dictatorships straight. Like in the poster above. Obama as a  Sturmabteilung brownshirt along with a faux Chinese font intended to be suggestive of Maoist Marxist-Leninism? Really?

For fucks sake, people, a little totalitarian consistency — is that really too much to ask? There’s got to be a limit to how much you can expect people to ignore.

in which i answer a question about photo projects

Because I’m the Managing Editor of Utata.org, I get a hefty chunk of photography-related email. Most of it has to do with photography exhibitions, or photography books, or questions about Utata photo projects. Relatively little of my email deals with my own views on photography. But a few days ago I got an email that included the following questions:

I guess what I’m asking is how do you develop a personal photography project? Do you just pick a thing and start taking picture of it? Do you make up rules or guidelines before you start? How do you start a photography project?

I started to write back and basically say ‘Dude, I don’t have a clue how to start a project.’ But that sounded pretty stupid. The more I thought about it, the more I realized I must have some vague notion of how to go about it. I mean, I’ve done a number of photo projects. They couldn’t have all happened by accident. Could they?

So over the last few days I’ve found myself sporadically thinking about projects. This is what I discovered: each of the three projects I’ve included on this site (I have other photo projects; I just haven’t published them here) began in a different way. And since I do not want to write another post about guns, I’ve decided to write something about each of those three projects.

later i saw a red-haired woman in a blue sundress

later i saw a red-haired woman in a blue sundress

I’m going to begin with the Traffic Signals series, because it’s the simplest. Well, that’s not true — the Larking About in Alleys series is actually the simplest. But Traffic Signals is the oldest of the three projects. And, of course, I just checked and found that Faux Life is older by a year. But fuck it, I’m going to talk about Traffic Signals anyway.

The project as it exists now actually began with a different project. The Utata Storytellers Project of 2009 required us to make up to six photographs in which we would relate a story. We were only allowed a maximum of 35 words per photo. I kicked around a number of ideas for the gig, but came across my final project idea rather by accident.

the unquiet sky, shy as an alligator

the unquiet sky, shy as an alligator

I was standing at a crosswalk with some other pedestrians. There was a buzzing sound coming from the traffic signal. That buzzing ceased (or at least reduced in volume) when the light changed and we were allowed to cross the street. It struck me as odd and more than a little funny. It was as if the traffic signal was also sending out audible cues.

So I concocted a little talein which a person believed he was being given messages through the traffic lights and pedestrian signals. It’s called After the Bombs Dropped. For the photographs, I used an app called Poladroid, which mimics Polaroid photography. I thought it added a more authentic feel to the story.

angry birdsWhen the project was finished, I found I was still intrigued by traffic signals. I was fascinated by the fact that so many people — both drivers and pedestrians — obeyed them, even when there wasn’t any traffic on the streets. And yet even though they obeyed the signals, people never really looked at them. And they were everywhere. Everywhere.

So I kept photographing them. On the set in my flickr photostream, I continue to use the Poladroid app for the images. That aesthetic still appeals to me. But for my personal files (and here on this site) I use the app but dispense with the faux Polaroid border — primarily because the border looks goofy here. (It may look goofy on flickr as well, but hey — that’s flickr.)

restless

restless

I like to think the series is deceptively simple. As I said, traffic signals are everywhere. But while they’re ubiquitous, they’re not necessarily visually interesting. Most aren’t.

I’ve come to appreciate how difficult it is to photograph traffic signals in a way that creates a sense of drama. It’s not about documenting traffic signals; it’s about imparting a sense of tension within the frame.

it was a mistake to call her

it was a mistake to call her

I’m not always successful. But the challenge keeps me interested in the project. It also, I have to confess, annoys anybody I’m in a car with when I insist they either stop the vehicle or let me out and drive around the block until I get the photo.

It’s not quite an obsession, but it has an obsessive component to it. And happily the world is full of traffic signals, so it’s unlikely I’ll run out of material.

a quick response…

…to the guy (I assume it’s a guy) who sent me an email me saying

[T]here’s nothing paranoid about standing up against tyranny. obama is paranoid about an armed citizenry and wants us disarmed.

Dude, look up ‘tyranny’ in the dictionary. The fact that you can, without fear of reprisal, publicly call the President of the United States a tyrant is confirmation that you’re NOT living under tyranny. The fact that on Gun Appreciation Day groups of people all over the United States were able to peaceably assemble in public and openly denounce the elected leader of the nation in the most objectionable terms is a testament to the fact that you’re not living under tyranny.

james yeagerThe fact that THIS guy is still free to walk the streets and continue to post videos and own firearms (even if he’s not legally allowed to carry them concealed at the moment) is verification that you’re not living under tyranny.

And another thing — the fact that you think you’re living under tyranny is evidence that you’re paranoid.