bluesky smilin’ at me

I’ve been asked to give my initial impression of Bluesky, the social network. I was invited to join about a month ago (courtesy of Bryce Fields, an old Flickr friend), and I have to say, it’s not quite what I expected it to be. But it is pretty much what I hoped it would be.

I was reluctant to leave Twitter because it fed a lot of my niche interests. Yeah, it was messy and ugly and getting more hateful by the hour, but it also allowed me to get a regular info-fix of crows, politics, archaeology, William Gibson fashion views, lizards, peculiar chunks of history, the US Women’s National Team (soccer), mortuary symbolism, and lots of other stuff. Twitter was like a Big Box store unfortunately staffed by Nazis but well-stocked with a lot of weird shit I wanted to know. I didn’t think there could be a venue where I could find all of that in a hate-free environment.

Twitter, as awful as it was (and still is), was also incredibly useful for real-time news. If something newsworthy was happening somewhere in the world, it was happening on Twitter. I’m talking about anything newsworthy–whether it was a riot or a natural disaster or some guy who found a human toe in a can of soup. Sure, you had to be alert for massive amounts of misinformation and even deliberate hateful disinformation, but Twitter served a purpose.

So here’s the question: does Bluesky work well enough to replace Twitter? Yes, it does. Bluesky isn’t quite there in terms of newsworthiness…yet. But it shows real potential in regard to my niche interests. And best of all, it’s virtually Nazi-free. Hell, it’s actually (and I hesitate to say this for fear of jinxing it) very pleasant. It’s comfortable without being ‘safe’ if that makes sense.

It’s important to remember that Bluesky is still in Beta, which means that a number of things we take for granted on other social media are missing. Stuff like hashtags or the ability to construct long discussion threads or DMs. Maybe those things will come later, I don’t know. At this point, their absence only marginally detracts from the experience.

The Bluesky experience is relaxed and welcoming. Some of this may be because it’s still fairly small. But, at the risk of sounding sappy, the users make a genuine effort to get along with each other. I’ve seen very little drama or rancor. There’s almost no indication of the sort of asshole culture that thrives on Twitter. I’m not saying there aren’t any assholes on Bluesky; I’m saying that assholes are handled better on Bluesky. There’s a relaxed Don’t Feed the Asshole vibe. Instead of trading insults or entering into pointless arguments with transphobic Nazis, users on Bluesky tend to just mute or block them. You can’t own the libs if the libs just ignore your existence.

It’s also nice to see Big Hat users (you know what I mean…folks who are well-known or famous in certain circles, and have hundreds of thousands of followers on Twitter, folks who wear a Big Hat) interacting with new users, especially when those users don’t know they’re Big Hats. On Twitter, you probably wouldn’t see Neil Gaiman helping a new user learn how to change his Bluesky handle to include his personal domain name. On Twitter you probably wouldn’t see somebody tell John Scalzi, “I followed you because you were kind and funny; I didn’t know you were famous.” That’s one of the things I’ve enjoyed the most about Bluesky–how accessible everybody is. It doesn’t mean people will pay attention to what you post (very little of what I post gets any attention), but it means you can easily find yourself asking questions about blue crayfish of somebody who turns out to be the Research Curator of Non-molluscan Invertebrates at the NC Museum of Natural Sciences.

My only real complaint with Bluesky is that I occasionally encounter users whose sincere preachiness I find mildly annoying…even when they’re right. There are folks who seem to seek out images posted without an Alt description in order to remind them (gently and with respect) that they really really should include Alt descriptions of images out of courtesy for visually impaired or autistic users. But even though I find it annoying, that’s probably the best way to change online culture. The sad fact is, some folks need to be reminded to be decent people. And (confession time!), I have to admit I never gave much thought to Alt descriptions before. Now I’ve set a filter on Bluesky that won’t allow me to post an image UNLESS I include an Alt description. That’s how Bluesky works; it encourages you to be decent.

I’ve been asked if Bluesky is supportive of LGBTQ+ communities. And the answer is no. It’s not merely supportive; it’s fucking celebratory. I’m not saying it’s an ongoing party, but there are corners of Bluesky culture that would make homophobes and transphobes really uncomfortable. Which, in my opinion, is another mark in its favor. It’s also nice that you can set filters that allow you to choose whether or not you want to see images of somebody wearing ass-less chaps and a sailor hat.

Also, there are lots of photos of dogs and cats (and sometimes the people associated with them). And for some reason, I see a lot of potato recipes. I’m okay with that.

Bluesky isn’t perfect. For example, there’s a noticeable absence of crow discussion. But the people here are tremendously enthusiastic, and that sort of makes up for the lack of crows. It’s that universal level of enthusiasm that makes Bluesky so attractive to me. Everybody here seems to be enthusiastic about something (like, say, star nosed moles). They’re also enthusiastic about creating a social network that is tolerant and accepting of almost everything except assholes.

As the site grows, it’ll change. It’s to be hoped that it will get even better, but that’s a gamble, isn’t it. For now, I’ve found it to be the most comfortable, welcoming, easy-to-use social network. It won’t suit everybody, of course, but I feel at home here.

EDITORIAL NOTE: Don’t forget, we need to burn the patriarchy. Burn it to the ground, gather the ashes, piss on them, douse them in oil, and set them on fire again. Burn the patriarchy, then drive a stake directly through the ashes where its heart used to be, and then set fire to the stake. Burn that fucker one more time. And keep burning it, over and over. Burn it for generations. Then nuke it from orbit. Then have tea.

keeping balance

I declare, it’s been a crazy couple of weeks. Between insane weather events, and imploding submersibles, and bizarre Russian semi-coups, and insane imploding bizarre Trump criminal developments, it’s been difficult to focus on a single topic for more than a few minutes at a time.

So I’ve been riding my bike. I mean, when you’re riding a bike, all the rest of that shit fades into vaguely annoying background noise. Like tinnitus. It’s there all the goddamn time, but you just sorta kinda get used to it.

Besides, I have a new bike. Well, it’s not new new. I’ve had it for about a month or so. So it’s still new. Newish. I’ve only put about 170 miles on it. That may sound like a lot, but when you do a few 20-30 mile rides interspersed with sporadically cycling back and forth to the gym, it slowly adds up. And because it’s a new bike and I’m still enamored with it, I’ve been photographing it wherever I’ve gone. Yes, that’s right, I’m taking pictures of a fucking bicycle. Which is just as ridiculous as it sounds.

This is my second electric bike. My first was a fat-tire bike; I described it as the best purchase I’ve ever made. That’s still true, although I sold it when I bought my new bike. It was the best purchase because it allowed me to enjoy cycling again, after years of NOT cycling (because of knee pain). It was a big bastard of a bike; it could go anywhere, but it was cumbersome. The new bike–an Aventon Level 2–is more of a commuter bike. The tires are half as wide, and it’s a lot more nimble. It has a torque sensor instead of the fat bike’s cadence sensor (which will only be of interest to other folks who have ebikes), so riding it feels more like riding a regular bike.

But even on my bike, I can’t fully escape the outside world. For example, President Uncle Joe passed the infrastructure act, which means there’s been a massive increase in transportation construction and repairs, and that includes bicycle paths. Normally, there are a couple hundred miles of easily accessible, dedicated bike trails I can ride, plus all the local bike paths. But with all the new construction, a lot of those paths and trails have been disrupted. It’s a small, temporary inconvenience, and good for Uncle Joe and all…but it’s still annoying to set out on a ride, only to find an excavator has torn up the trail.

And I can’t exclude former President Comrade Trump when it comes to problems. A couple of days ago I rode down to a nearby reservoir, which is a popular sport for boaters, folks who like to fish, and birders. There’s a large paved parking area where folks park their vehicles and leave their boat trailers. As I was riding along, a couple of guys (white, short hair, in their 20s) driving a Jeep approached me, going the opposite direction. They slowed down, looked at me, and one of the guys yelled, “Fuck Ukrainian Nazis!”

It seemed like an odd thing to shout at a random stranger…until I remembered I was wearing a t-shirt with the Ukrainian flag and ‘Україна’ written on it. I’m assuming they recognized the flag, although I suppose it’s possible they were also familiar with the Cyrillic alphabet. I’m actually kind of impressed they recognized the flag; I don’t expect MAGA-Anon folks to have much awareness of geography or vexillology.

The incident put a very short-term damper on my enjoyment of the day. Maybe five minutes. It was just too nice a day to allow fuckwits to disrupt it. My biggest disappointment that day was arriving at one of my favorite bicycle bars and remembering they didn’t open until 1500 hours. There’s a pair of large open-air pavilions nearby, with restrooms and a public bike repair station, so I considered just hanging out for an hour or so until it opened. But home was only a couple of miles away, and I have a refrigerator stocked with an assortment of beers, so for once I made the logical decision.

Okay, I can’t write a blog post without getting at least a little bit pretentious. So here’s Albert Einstein, in a letter to his son:

Life is like riding a bicycle. To keep your balance you must keep moving

This is me, keeping my balance.

knuckles, back on the map

As some of you may know, Knuckles Dobrovic is the name under which I occasionally create photo projects on Instagram. This began back in 2013. I created the Knuckles alias to explore Instagram, to learn what it was and how it worked, and to do that without having my name associated with it. I thought it made sense to dissociate myself from the account back then; now it just seems silly. In any event, I created the account and began to compile a very simple project. I put a thing on a glass-topped table on my deck and photographed it.

South of Ulan-Ude, Russia

I did that for about a year, during which I realized how ridiculous it was to have an alias account. So I created an IG account in my own name. When Things on a Table was finished, I put the Knuckles account on a shelf and forgot about it. Except–and I realize this is also silly–I’d become attached to the name. So eventually I revived the Knuckles account for another project. And then another. This will be the seventh Knuckles photo project.

Arvik, Norway

Early on, I cobbled together some simple, flexible parameters for Knuckles projects:

  • It’s got to be simple (which means I won’t have to do a lot of planning or a lot of post-processing).
  • It’s got to be organic to my life (which means it’s something I can photograph during the course of an ordinary day — whatever that is).
  • It’s got to have at least one intellectual component (which is more accurately described as a pretentious bullshit element).
  • It’s got to be able to keep my interest over time.
Near Yotvata, Israel

Here’s a quick recap of the various Knuckles projects themselves with a link to a representative image from that project:

  1. Things on a Table — I put a thing on a table and photographed it.
  2. My Feet on the Earth — I took walks, stopping periodically to photograph my feet. I selected two or three of the images during a walk and created multiple exposure images.
  3. One Hundred Appropriated Google Street Views — This was sort of an homage to Hiroshige’s ‘One Hundred Famous View of Edo’. While playing the online game GeoGuessr (which involves finding a random location based on Google Street View), I made screen captures of interesting vistas. I converted those screen grabs into square black & white images.
  4. Slightly Dislocated — During the enforced isolation of the pandemic, I shot square format photos during my solo walks or masked errands. I diddled with the color a wee bit, digitally sliced the image in thirds, then re-arranged the pieces.
  5. Are Bure Bampot — I’d been playing Geoguessr again, and during a break I read something about Daido Moriyama, the godfather of a photographic style called are bure bokeh, which roughly translates as “rough, coarse/crude, out of focus.” That same afternoon, on Twitter, a Scots acquaintance referred to somebody as ‘a total bampot,’ which I was told means “an idiot, a foolish person, a nutcase”. For reasons I can’t explain, the phrase are bure bampot came to me, and I decided to follow through on it. As before, I made Google Street View screen captures of scenes and locations in Scotland. This time I modified them using the are bure bokeh style.
Unknown location in South Africa

Now I’ve returned yet again to Google Street View with a new project: Bus Stops. I’ve always been intrigued by the bus stops I’ve encountered playing GeoGuessr, and I often pause long enough to get a screen capture of them. I’ve written about my fascination with bus stops before; lots of folks know about my interest. Recently an acquaintance sent me a link to a photo of a primitive bus stop in Turkey. It occurred to me that over the years I’d amassed a small collection of Google Street View screen captures of bus stops.

So I decided to do a quick search my old files and organize them. I found just over a dozen images of bus stops–enough to kickstart a new Knuckles project. It falls well within the Knuckles Criteria: simple, organic to my life, an intellectual component, and since I’ve been doing it haphazardly and thoughtlessly for years I’m not likely to get bored with it.

San Esteban, Chile

The intellectual component? A bus is the most democratic form of public transport. They’re most commonly used by the poor and working classes, but the bus stops for everybody. In cities it’s not uncommon to see people in business attire riding the bus to work. A bus network is fundamentally simple: a series of designated routes with consistent designated arrival/departure times and stable designated boarding locations with predetermined fees. It’s a predictable, reliable, efficient dynamical transportation system in which bus stops act as fixed point attractors. And if that’s not enough, bus stops are ubiquitous. They’re everywhere because a bus network is socially elastic–the design can be stretched to fit almost any community anywhere in the world. But stops are both local and global.

Outside of Petronys, Lithuania

You need more? Bus stops can tell you a lot about a community. Are the bus stops clean? Cared for? Are they in poor repair? Are they stylish or simple? Some bus stops have trash receptacles. Some are trash receptacles themselves. Some are shelters, designed to please the eye as well as keep riders dry and protect them from the wind. Some are purely utilitarian. Some are nothing more than a wide space in the road. You look at a bus stop, you learn something about the people who use them and the communities in which they live.

Bus stops are fascinating. But you have to look at them. So here…take a look.

another ordinary day

Wake up, get myself dressed, wander into the kitchen, remember the cat isn’t going to be there, make coffee, read the news, get distracted by…something. That last bit? Getting distracted by…something? Story of my life, right there.

I’m not driven by ambition or security or responsibility or success (whatever that means), but I am ridiculously weak to curiosity. I have a compelling need to know stuff. Unfortunately, it’s rarely useful stuff. If you’re looking for somebody who knows how to repair something mechanical or build a cabinet or replace an electrical outlet, I’m completely fucking useless. But if you ever want to know the name of the brother of the last Saxon king of England or the history and etymology of ‘spatula’ or why jamon iberica is the best ham in the world, I’m your huckleberry.

I only know these things because I allow myself to be distracted by something. And following that distraction led to something else, which led me to something else, which ended up with me accumulating still more useless information. And that’s exactly what happened to me this morning.

In an online forum devoted to readers of the historical fiction of Dorothy Dunnett I came across a passing reference to St. Mary’s Loch–the site of a band of mercenaries in Dunnett’s work. Being familiar with the novel, I had a general notion of where the loch was located in Scotland, but (and this where it always starts…with that but) I decided to look at a map to get a more exact location. And I was curious why the loch was named for St. Mary.

The answer to that last question was both obvious and easy to discover. It was named for a church dedicated to St. Mary. That church is gone now, but the graveyard is still there (and since this is about useless information, the difference between a graveyard and a cemetery is that a graveyard is associated with a churchyard, which requires a church; so this grave site is still a graveyard even though the church is gone).

St. Mary’s graveyard.

Information about the burial site led me to somebody’s blog post about St. Mary’s Loch, which included a reference to “the Hamlet of Cappercleuch with its couthy old, corrugated iron village hall.” Multiple sources of distraction here. What the fuck does couthy mean? (Spoiler: it’s a Scots term meaning ‘sociable, friendly, congenial, comfortable, snug.) And who wouldn’t want to see a couthy old, corrugated iron village hall?

That led me to Google Maps and Google Street View of Cappercleuch. It turns out that a corrugated iron village hall is…well, just that. It’s basically a rather ordinary, disappointing metal shed. Not particularly old, and certainly not very couthy.

St. Mary’s Hall at Cappercleuch — neither old nor couthy.

Still, as long as I was noodling about with Google Street View, I figured I may as well spend a few minutes looking at St. Mary’s Loch and seeing what else Cappercleuch had to offer. And within ninety seconds I came across another distraction. This:

What the hell is this?

Reader, now THIS is a serious distraction. Just what the hell IS this? I mean, I can see what it is: a small, cross-gabled, distinctively decorated, phone-box sized structure. But what is its purpose? Why is it located just off the A708 motorway in Cappercleuch? (And if you’re curious enough to look for this on Google Maps, here’s a shortcut for you.)

The first thing I learned was that the A708 was one of the five most dangerous roads in proportion to traffic in all of Scotland. Or at least it was between 2007 and 2009. Not particularly helpful information, unless many of those accidents were because drivers were distracted by this weird boxy structure.

We can assume it’s not a Scots Tardis, but it has that ‘police box’ aura about it. It’s something official, certainly. The carefully crafted logo seems to confirm that. If we look closely, we can sort of see that it has the number 723 on the side. So, of course, the only thing for us to do is Google Box 723 Cappercleuch. And that gives us this:

I’m just going to assume you’ve made the same leap I did. AA stands for Automobile Association. It’s the UK version of AAA. AA boxes were an early form of roadside assistance in the UK. The first AA boxes were introduced in 1911. They were lit by oil lamps at night, and were sometimes referred to as “the lighthouses of the road.” The AA boxes contained maps to help folks who were lost, as well as a fire extinguisher, a lantern, and a telephone available to contact the AA for assistance. Members of the Automobile Association were issued with keys that fit all AA boxes in the UK.

By 1919 the AA had established a well-connected communication and assistance network of over a thousand roadside boxes, many of which were manned by yellow-uniformed ‘sentries’ who were there to offer free assistance.

Improvements in technology eventually made the AA boxes obsolete. By the late 1960s, the AA began to phase them out. In 2002 only 21 call boxes were still standing; AA shut down the entire network and made plans to dispose of the structures. The following year the boxes were listed as historic landmarks, and efforts were made to physically restore them. Apparently nineteen boxes still exist.

There’s a part of me, of course, that wants to use Google Maps to find them all. It shouldn’t be hard to do. There is absolutely NO REASON for me to do that, but at some point I probably will. Because that sort of pointless activity is my wheelhouse.

But it won’t be done today. I’ve learned some minimal self discipline over the years.

I’ve no idea how much of my day is spent giving in to my curiosity. I’m going to guess at least a couple of hours every day. There are folks who’ll consider this an inefficient use of my time.

Ain’t it great?

drive-by

I went for a drive on Thursday.

No, wait. It would be more accurate to say I went for a ride; I didn’t do any driving, I was just a passenger. It would be even more accurate to say four of us decided to visit a small town and have lunch in some local cafe (or diner or bakery or brewery or whatever passes for a lunch spot in that particular small town), and while we were out, I shot some photos. This is something we do periodically. After we eat we tend to tool around fairly randomly and see what there is to see. We may tour the town (if it’s big enough to actually tour), we may wander along the surrounding back roads.

I generally sit in the front passenger seat and shoot photos. Sometimes we stop and I shoot photos, sometimes I shoot photos out the window, sometimes I convince the driver (my very patient and obliging brother) to stop, turn around, drive back to something I thought might make an interesting photo.

My point, if you can call it that, is that on Thursday we…well, we did that. It was a chilly, occasionally breezy day with a steady fall of exceedingly fine snow. I don’t mean fine in terms of high quality or excellence (although as snow goes, it was pretty fine); I mean fine in terms of texture and delicacy. It was mostly a light, powdery sort of snow; it made the world look like it had been dusted with a sprinkling of powdered sugar.

Two things. One, I used to bring one of my cameras on these ventures, but for the last few years I’ve mostly used my phone for this sort of photography. Two, in winter I tend to shoot in black-and-white. I know it makes more sense to shoot in color and convert it to b&w; you have greater control over the final image. But there’s some weird trigger in my brain that says, “Hey, old sock, if you’re going to make black-and-white photos, commit to it.” It doesn’t make any sense, but there it is.

Over the years I’ve used half a dozen different dedicated b&w phone apps. So far, I keep gravitating back to an app called Vignette, which is a very flexible app that allows you to create a number of different camera profiles. I bang it around until I get a b&w setting that meets my general needs and aesthetic, then save it. Every time I buy a new phone, I sort of recreate that setting (although the recreated version is never quite the same as the previous, I’m okay with that).

All of the photos here are drive-by photos. They were shot through the passenger side window (which, of course, was closed because it’s fucking winter here). There’s always a part of me that wishes the window was perfectly transparent, and a conflicting part of me that likes the fact that the window conditions change and the photos change accordingly. The window might be a tad foggy with condensation, or it might be streaked with water or melting snow, or even spattered with mud or road grime. It all finds its way into the photo.

Drive-by photography is ridiculous. It’s all about predicting an image–seeing what’s up ahead and visualizing what it might look like when you get there. If that’s loopy enough, you then have to anticipate what’s coming and try to time the shutter release (okay, there’s no actual shutter in a cellphone, I know that, but you know what I mean) to correspond with what you hope will be a proper composition. That’s another issue with the Vignette app: the shutter lags. Just a moment, but it’s a fairly predictable moment. Which means if you’re using Vignette to shoot a drive-by photo, you have to factor that lag into the equation.

Half the fun of drive-by shooting, of course, is not quite knowing what you’re going to get. You make a number of guesses and predictions based on your experience and intuition and your understanding of the technical concerns, and hope for a good result. Most times, you guess wrong. But sometimes you guess just right and the photo is what you hope it will be. I guessed right (or close enough to right) on the photos you see here. None of them has been cropped, but most of them have been rotated slightly to straighten the horizon line.

The snow helped. Not just because it was pretty, but because we were driving more slowly. That gave me more time to evaluate the shot and a larger margin of error.

There are few finer ways to spend a weekday, when all the normal employed people are at work and out of the way. Good company, good food (usually), good drink (usually), and the serendipitous exploration of some place we have no real reason to visit other than whim. I count myself very fortunate that I get to do this.

saturday, noodling around

I don’t know what you did last weekend, but I drove 75 miles to the small former coal town of Humeston, Iowa. Why? Because there’s a tiny cafe. Almost every small town has some sort of tiny cafe or diner. But this one–the Grassroots Cafe–serves a grape salad that’s so good you want to lie on the floor and kick your feet in the air. And the bread pudding would make angels weep that it exists for mortals on the earthly plane.

The Grassroots Cafe

Humeston is a really small town. Population: 465 in 2020. It was the home of the Humeston and Shenandoah Railroad, which in 1881 ran 113 miles from Humeston to (guess where) Shenandoah, Iowa. In its glory days, the H&S RR ran 14 classic 4-4-0 steam locomotives, hauling mostly coal, grain, livestock and occasionally passengers to the slightly larger town of Shenandoah, where the railroad joined up with the Missouri, Iowa, and Nebraska Railway system. (You may be wondering, “Greg, old sock, what is a 4-4-0 locomotive?” I wondered the same thing and I googled it. You can do the same thing. Don’t be lazy. And stop calling me ‘old sock’.)

This is Humeston.

By the late 1920s, the H&S RR was beginning to fade. The advent of the automobile (and, more importantly, the truck), combined with improved roads, the gradual decline of local coal, and the beginnings of the Great Depression, strangled the small railroad business. The railroad died slowly and in sections, but by the mid-1940s, during the Second World War, it was essentially gone. As the railroad died, so did the town’s population.

Humeston, near the cinder bike path.

Although the railroad is gone, the track left behind became Iowa’s first rails-to-trails bike path. Thirteen and a half miles, from Humeston to Chariton. Unfortunately, it’s also Iowa’s worst-maintained bike path. About half of it is gravel and cinder; the other half is…well, just grass. Sometimes overgrown grass. It’s doubly sad because it’s one of the few bike trails with covered bridges.

Humeston

On arrival in Humeston, I gave in to an impulse. Sometimes you just have to give in to your impulses. You know how it is. You’re on the road, you see a train, you pretty much have to say, “Train” out loud, even though anybody with you can see the damned train. Same with horses and cows (and, I don’t know, maybe sheep? Yeah, probably sheep). Even if you resist saying it aloud, there’s a part of you that’s thinking and wanting to say “Cow” when you see a cow. It just happens.

The photographic equivalent of saying “train” or “cow” is shooting your reflection in a window.

First photo in Humeston

Obviously, I gave in to that impulse. My first thought was that Humeston should be photographed in black-and-white (why yes, I DO have an app I use just for b&w photography–doesn’t everybody?). But the day became so sunny and bright (though still brutally cold) that I quickly abandoned that idea and shifted to my standard photo app.

Selfie with Humeston bench.

And my first photo was, yes, a reflection selfie. There’s no point to it; you just have to do it sometimes. Usually, you do it once and that’s enough; you won’t have to do it again for weeks or months. The impulse has been fulfilled and you can get on with your life. But there are occasions when the itch just doesn’t feel properly scratched until you’ve done it a few times.

Yes, three (3!) reflection selfies in Humeston.

So I wandered around on the streets of Humeston briefly (briefly because 1) it was savagely cold and 2) there isn’t enough of Humeston to wander around at length). It feels like a small town, to be sure, but it doesn’t feel like a small town in decline. Sure, some of the shops are empty, and some are a wee bit worse for wear, but everybody I met was cheerful and there was a sort of bright enthusiasm to the limited commerce. The aisles of the general store (yes, there’s a general store) were so exuberant that they were almost hallucinatory.

Tripping in Humeston.

As much as I love to visit small towns, I always find myself wondering what it would be like to grow up in one–and deciding it would be awful on so many levels that you’d need an abacus to count them. I have absolutely nothing to base that on, and the people I know who grew up in small towns generally have nice things to say about the experience. But damn.

On the way home from Humeston, we passed through the town of Lucas, Iowa, where we saw this charming little brick building. Of course, we decided to stop and look.

Lucas is so small it makes Humeston feel like a metropolis. Before it was a town, it was just a station on the Burlington and Missouri River Railroad line. The station was established in 1866. A decade later, the Whitebreast Coal and Mining Company sank a mine near the station. There was a rich deposit of coal, and by 1880, they’d opened a second coal mine and created a company town. If you’re not familiar with the concept of a company town, it’s basically a town in which practically everything–all the stores, the housing, the local services–are owned by a single company that’s also the sole (or at least the primary) employer. If you wanted to buy a shirt or a loaf of bread, if you wanted to have a boil lanced or a tooth extracted, you paid the money you earned from the company back to the company, before returning to the house you’ve rented from the company.

Lucas selfie with optional shop cats.

By 1890, there were 1300 people living and working for the Whitebreast Coal and Mining Company in Lucas. But here’s the thing about coal. Once you dig it up, it’s gone. A coal mine without coal is just a big fucking hole in the ground. The last productive coal mine in the Lucas area closed in 1923. By 1930, the population had dropped to about 500. In the 2020 census, the population was only 172.

Dr. Bell’s office.

There were three antique/craft stores in Lucas. None of them were open during our brief stop, nor was the John L. Lewis Mining Labor Museum (union organizer John Lewis apparently got his first job as a coal miner in Lucas). I doubt that Doc Bell is still in business, but his office is still standing. If you look, you can recognize the bones of the old company town that existed here a century ago.

That was my Saturday. A day spent not doing much of anything–just noodling around in small towns, thinking about stuff, shooting shop-window selfies. In other words, a day well spent.

let the journey unfold

I recently learned that Iohan Gueorguiev is dead. He died months ago–August of 2021. I had no idea.

You know how it is. There are things you wish you’d done. There are things you wish you could do. But there are also things you wish you’d wanted to do, even though you know you wouldn’t actually do them even if you had the opportunity.

I wish I would have wanted to do what Iohan did. I know, if given the chance to do what he did, I’d have turned it down. What he did was just too hard. I mean, it was absolutely wonderful and amazing and quixotic. I admire him for what he did and how he did it. But even though I’d have enjoyed doing some small parts of what Iohan did, I don’t have it in me to really want to do it.

What did Iohan Gueorguiev do?

He rode a bicycle. He rode it a lot. He rode it very far. Incredibly far, in fact. Insanely far.

Iohan was born in Bulgaria in 1988. When he was 15 years old, his parents sent him to live with an uncle in Mississauga, Ontario. At some point he bought a bicycle–a touring bike–and went for a ride. To Vancouver. About 2700 miles.

That started his weird fascination and love for long-distance bike-camping. In 2014, he decided to ride his bike from the Arctic Sea in Alaska to the town of Ushuaia in Tierra del Fuego, the southernmost town in Argentina, generally called the ‘end of the world’. He thought it might take him a year. He was wrong. Wildly wrong.

It was, to be frank, an absurd and ridiculous idea. The distance from Prudhoe Bay, Alaska to Ushuaia is about 9500 miles as the crow flies. On a bicycle, it’s…well, who knows how far it would be? Farther than any rational person would consider riding.

Iohan’s touring bike–with its narrow road tires–was entirely inadequate for the project. Eventually he was able to acquire a fat tire bike that was significantly more suited for the trip, and over time he obtained a better camera (and a GoPro and some sort of drone), but his gear was always a secondary–or tertiary–consideration. The adventure was what mattered–the things he saw, the people he met. He maintained a blog describing the trek (which is how I learned about him) and he produced a number of YouTube videos.

“I want to see the world. Follow a map to its edges and keep going. Forgo the plans. Trust my instincts. Let curiosity be my guide. I want to change hemispheres. Sleep with unfamiliar stars. And let the journey unfold before me.”

That’s mostly what he did–let the journey unfold. Iohan rarely took the easy route. He rode anywhere he could, anywhere he wanted: ice highways, lumber roads, hiking paths, wilderness trails. Hell, sometimes he didn’t take a route at all–he just set off in the general direction. On at least one occasion he broke down his bike to cross a lake using a collapsible kayak. He refused to let common sense dictate the trip.

He encountered every obstacle you could predict: bad weather, wildlife, gear failures, terrible terrain, mechanical issues. And yet he always seemed to find something positive about his situation. Cycling in a blizzard? He didn’t have to worry about his food supply spoiling. Traveling up a hazardous mountain trail so steep he has to carry his bike and all his supplies? The air is cool, he says, and fresh and invigorating.

“Ruta de Los Seis Miles is a 1,310km, month-long, high altitude desert traverse across the Central Andean Dry Puna in Chile and Argentina. This route promises the most physically and mentally demanding high altitude touring in the Andes. Thankfully, it’s balanced with dream-like mountain scenery with salt fields, lava flows, flamingo-filled lakes, and some of the highest volcanos in the world, far away from the civilization.”

Everywhere he went, Iohan met good people. They’d offer him a safe place to sleep, a warm meal, maybe a bit of money, stories. He seemed to take as much joy from the people he met as he did from the sights he saw. He was certainly comfortable being alone–and there were times on the trip when he was terribly alone–but he clearly delighted in meeting new people in unusual circumstances.

“My motivation: the kindness of strangers and the beauty of the wild.”

Without a private fortune (which Iohan didn’t have) or some sort of corporate sponsorship (which he occasionally received), he was forced to interrupt his journey periodically and return to Canada and earn enough money to continue. Then he’d resume the adventure where he’d left off.

The trip he originally thought might take a year stretched out to more than six. Then Covid arrived; the pandemic disrupted everything. Iohan returned to Canada. He still took what he’d describe as ‘short trips’ in Canada. But the trips weren’t very rewarding; the pandemic made it impossible for him to meet new people. Depression set in; he developed insomnia, made worse by sleep apnea.

Last August, Iohan killed himself.

He still had about 1500 miles to go to reach Ushuaia.

Earlier I said I wish I would have wanted to do what Iohan did. I try to do what he did on a much much much more modest scale. I ride my bike. I talk to strangers. But if it’s too cold or too hot or too windy or too wet, I stay home. Still, there’s a part of me that wishes I had the sort of irrational will that could inspire me to actually undertake an adventure like his.

Iohan Gueorguiev went as far as he could. So much farther than common sense would carry you. He experienced so much more than the rest of us. It would be wrong to think he fell 1500 miles short of his destination. The distance Iohan Gueorguiev traveled can’t be measure in miles. He kept going until he couldn’t. Then he stopped.

EDITORIAL NOTE: You can still access Iohan Gueorguiev’s blog and his videos at BikeWanderer. It’s nice to watch the videos and think maybe he’s still on his way.

that’s right, it’s a movie review

I sporadically read movie and/or television reviews. I don’t necessarily trust entertainment reviewers, but I tend to assume they get it approximately right. Maybe they don’t point to true north, but they wave in a general northish direction. The reviews of Don’t Look Up were harsh; I saw it described as glib, as disastrous, as unamusing, as obvious and without subtlety, as over-the-top, as trivializing an actual social problem, as cynical and mocking. Reviewers said Don’t Look Up failed both as satire and as comedy.

But sometimes all I want is mindless, distracting entertainment–something glib and trivial and obvious. Besides, there were a lot of really fine actors in it, so how bad could it be?

I won’t say Don’t Look Up is a great movie; it’s not. But it’s not at all what the reviewers claimed it was. It’s not mindless entertainment; it’s not glib or trivializing or without subtlety. It’s a damned fine movie. It IS over-the-top, but considering the last few years, it’s only over the top by inches.

With only the tiniest possible SPOILER, I’m going to tell you what the movie is about. I’m not going to relate the entire plot; I’m only going to reveal one plot element (which you probably already know). But I’m going to describe what I think is the pivotal scene. It takes place fairly early in the film, and it establishes the theme on which the movie depends.

Three people–a grad student who discovers a comet heading directly toward earth, the professor who oversees her research, and a government official who heads some obscure agency devoted to protecting Earth from comets and/or other space stuff–are at the White House with a high-ranking military escort. They’re there to warn the president of the impending extinction level event. POTUS is busy doing political bullshit, so they’re left idling in a hallway. The escort leaves briefly and returns with bottled water and some snacks. He complains about how expensive the snacks were. The others reimburse him–US$20. He keeps the change. Later, the grad student (played by Jennifer Lawrence with unfortunate hair) discovers the snacks and water were free. Periodically through the rest of the film, she talks about how astonished she was that this guy screwed them for a few bucks when they were at the White House trying to warn humanity that all life on the planet is likely going to be extinguished. She just can’t understand people who act that way.

And that’s the movie. Good, decent people trying to do what’s right, trying to do what’s best for everybody, trying to deal with a system designed for–and occupied by–people primarily concerned with themselves and their own gain, people who are willing to lie, mislead, and manipulate others to achieve their short term goals. It’s not just that they have incompatible value systems; it’s that they don’t even share the same definition of values.

It’s a comedy. Sort of. It’s satire. Sort of. Actually, I’m damned if I know what genre it falls into. It’s a critique of the politico-corporate culture we live in, where maximizing profits and shareholder value have priority over human concerns. It’s a critique of the social media driven culture in which celebrity is valued over knowledge and manipulated opinion trumps science. All of that sounds very dull, doesn’t it; but this is not a dull movie.

In the end, I found Don’t Look Up to be weirdly hopeful. It suggests that trying to do good, trying to do the right thing, is in itself a worthy goal, even if you don’t believe you can succeed. It suggests a person’s sincere attempt to do what’s right confers a sort of grace on the person. I like to think that’s true.

Don’t Look Up is worth watching.

EDITORIAL NOTE: By the way, this is one of the few films in which scientists are depicted as normal people who are simply devoted to science. Nerdy, perhaps, but ordinary.

Melanie Lynskey

Also? The cast includes Melanie Lynskey, who has a brilliantly quiet career playing strong, soft-spoken women; she deserves a lot more attention than she gets. It’s a small role, but she’s perfect in it. She knows how to throw a pill bottle and make it sting.