new camera…and lawdy

A few months ago–October/November of last year–I got sucked back into the Cameraverse. I’d pretty much abandoned cameras (cameras, not photography) in favor of my phone. My phone was convenient, did a fine job, and had the massive advantage of always being with me. But my hands began to miss the feel of a camera in them.

That’s only partly a metaphor. Shooting with a phone and shooting with a camera are two very different tactile experiences. I felt a strong desire to pick up an actual, no-shit, physical camera and go shoot photos. I resurrected my 12-year-old Fujifilm X10 because it was 1) a real camera and 2) it was small. I flirted a bit with another larger Fujifilm camera, but it soon became clear to me that, for a variety of reasons, I don’t enjoy larger cameras.

With a new camera, you photograph whatever is at hand.

So I began to noodle around the InterTubes to see what was out there in the Small Camera World. That introduced me to the Cult of Ricoh. I DO NOT do cults. I resist cults. Cults are bullshit. But after enough exposure to the Ricoh GR3 series, I was ready to shave my head, shake a tambourine, and buy one of the wee bastards. Except I couldn’t find one. Seriously. The problem is/was the Ricoh GR3 series is so popular, they’re on continuous back-order everywhere.

Buy Local

Persistence paid off, and four days ago I was able to unbox a brand new Ricoh GR3x. Here are three inescapable things about the Ricoh GR3 series: 1) They’re small. Really small. I kept hearing them described as ‘pocketable,’ which I assumed was bullshit. It’s not. You can actually tote the thing around in your pants pocket. Regular pants, not baggy cargo pants. I’ve no idea where women carry them, since fashion Nazis have deprived women of real pockets, but lawdy, the camera is small. 2) They’re quick. That photo above? Six seconds. Saw the condensation on the refrigerated beer door, pulled the camera out of my pants pocket, composed and shot the photo with one hand, put the camera back in my pocket. Six fucking seconds. It’s not a great photo, but lawdy. I felt like a gunslinger. 3) They’re easily customizable, if that’s a word. Almost every button on the camera (most of which are accessible when shooting with one hand) can be assigned almost any function. Which won’t mean much to anybody who isn’t a photographer, but trust me, that’s a HUGE deal.

High contrast monochrome — water on a table.

It allows you to experiment. Hell, it almost demands you experiment. During a break in the rain on my first day I shot the photo above. It’s just rainwater organizing itself on a glass-topped patio table, but it has me thinking of a possible new Knuckles Dobrovic project–something about water in its various forms (as a liquid, as a solid, as a vapor, etc) done in high contrast black-and-white. I’ve no idea if it’s a viable project, or if I’ll follow through on it, but the thing is this camera has me thinking about projects again.

The problem? The learning curve. Oh, you can take decent photos almost immediately (as you can see here). But there are SO MANY ways to set up the camera to be responsive to your individual needs/wants, that I expect it’ll take me a couple of months of experimentation. Messing about with different set-ups, trying new ways of arranging things, establishing different photographic profiles for different subjects.

Chicory

Of the four days I’ve had the camera, two were rainy and stormy, one was savagely hot under a Gibsonesque dead channel sky. A bit of sunshine…even the teensiest bit, nicking through the gloomy clouds…would have done wonders for the photo above. The blue of the chicory was so lovely. But you get what you get.

This camera will, I think, allow me to take advantage of what I get. Yesterday what I got was yellow stripes outside the library exit. I hesitated for just a few seconds, one hand full with a heavy book, the other allowed me to dig the Ricoh out of my pocket, shoot this quickly, and be on my way. (And here’s another thing: I almost never shoot in portrait format, but there’s something about the ergonomics of the GR3 that makes you want to shoot that way. I don’t understand it, but there it is.)

Stopped by the library, shot a photo.

I’ve shot a total of 48 photos in these four days. Forty-eight photos, and I think I’m in love. Because this is the first camera that feels like it was designed to shoot the way I see. It’s unobtrusive, it’s fast, it’s easy to shoot with one hand AND at the same time it gives you a LOT of almost immediate control over how the photo will look. All of the elements of exposure–ISO, shutter speed, aperture–all right there for your thumb and index finger. It’s perfect for shooting fast and loose and from the hip. That’s why this camera is a favorite of street shooters.

But that’s not me. I’m not a spray & pray shooter; I tend to compose a photo quickly, but deliberately. I think this wee bugger will give me some of the speed of a street shooter while still letting me make important exposure decisions. It’ll take me a while to get proficient with it, but lawdy.

And I’ll just say it again. Lawdy.

2 thoughts on “new camera…and lawdy

    • Hey Chris, it’s more an aspect of practice than a knack or a talent. I’ve been shooting photos for a long long time. I often compose and shoot photos in my head as I’m doing stuff. I’ll see what I think would be a good photo, but since I don’t have a camera in hand, I’ll just sort of do a mental ‘snap’.

      There’s a thing I did years ago to teach myself composition. I’d attach a 50mm lens to my camera and put the camera on a tripod and leave it there for a couple of weeks. That meant in order to take a photo, I had to set up the tripod. Because it was a fixed focus 50mm lens, I had to THINK about where to place the tripod…the distance from the subject and the angle of the subject. It forced me to learn to pre-visualize the scene. Because when I got it wrong, I had to pick up the tripod, move to a better position, and set the damned thing up again.

      So now, ‘seeing’ the photo before I shoot it is pretty much baked into the process.

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