girl on a swing, with red boots

I don’t have anything like a schedule, but I have a daily routine. Get up, make coffee, read various news sites, do the Wordle (yes, I still do that every morning, sue me), post my result in a Facebook group (there’s maybe 30 of us; each morning somebody offers up a line from a poem, or a song lyric, or a personal observation, or some fucking thing, after which we post our results and chat), then I look at FB Memories to see what entertained me or pissed me off on that date in the past.

Today I saw this:

There’s a young girl I see every afternoon, swinging on her backyard swing set. She’s not a child–maybe 13 or 14? Older than most kids you see on a swing. But she’s out there every day, in every sort of weather, swinging. She goes really high–as high as possible, given the limitations of Earth physics.

I’ve never seen her face; she’s too far away. I don’t know who she is. But as I’m tapping away on my laptop at the kitchen table, I can look through the window and see her swinging. In the summer she’s out there two or three times every afternoon and evening, swinging until it gets dark. All by herself, swinging.

She’s out there right now. It’s bitter cold–23 degrees, according to the thermometer, with a 20 mph wind; the air is full of blowing snow. And she’s swinging with a passion. I want so badly to take her photograph, but it seems such a private thing, her swinging.

She’s wearing red boots.

I wrote that on 30 January, 2013. Eleven years ago. I never made any effort to find out who she was; it never really mattered. At some point she disappeared. I assume she and her family moved away, but I don’t know. All I know is that I eventually realized it had been a while since I’d seen her swinging.

The swing set stayed there for a few years. Then one day I noticed it too was gone.

It’s probably been six or seven years since the girl in red boots disappeared. But I still remember her and the way she’d swing so hard. She’d lean way back on the upswing, pumping, and it was clear she liked the power behind it. On the backswing, she’d look back over her left shoulder, then stretch out and pump. The rhythm was hypnotic.

I never watched her for very long, and I never felt like I was invading her privacy. At least not in terms of the physical act of swinging; that was done right out in the open in her backyard. But there was also a sense that her swinging was, for her, a sort of portal into a very personal realm of motion and rhythm and wild speed. An emotional space she could, for a short time, occupy entirely by herself. I think the reason I never felt like I was invading her privacy was because when she was swinging, she was in a place that nobody else could ever actually see or share.

It’s like watching somebody on an ice skating rink, or shooting baskets on a public court, or dancing at a club, or digging a ditch. There’s something completely lovely about the physicality of some actions, about the way a person becomes so deeply immersed in the act that nothing and nobody outside the act matters.

One friend, after reading my post, wondered if perhaps the girl was in her backyard swinging because she felt unsafe inside her home. Which was possible, of course. But it never felt (to me) like it was escape swinging. It felt like joyful, celebratory, liberation swinging. Like she was enjoying the purity of it.

Another friend encouraged me to shoot the photo I’d said I was reluctant to shoot. And I actually considered doing that. Several times over the years, in fact. But I just couldn’t do it.

I could justify (to myself, at least) watching her swing for a short time because the act of swinging was so beautiful in itself. But to watch her for more than a minute or two—or to take her photograph—would, I think, have been too intrusive. She was in her own world; I could take a brief glance at it in passing, but in the end it belonged to her and I had no business being there.

I’m aware some people might read this and assume the worst about me; they could choose to interpret this as a pervy justification for voyeurism. The sad thing is, there are enough pervy people out there to validate that sort of suspicion. However, it’s also sad that such suspicion discourages people from appreciating simple, innocent beauty when they see it out in the world. There’s a part of me that believes the girl (and probably her parents) might have enjoyed seeing a photograph of her in her red boots, swinging while snow fell all around her. There’s also a part of me that knows for certain the girl and her parents would not appreciate that photograph being taken without their permission and knowledge.

This is the world we live in. There is no photograph memorializing that day. But the image of her on her swing in the falling snow, wearing her red boots has stayed with me and it’s more vivid than any eleven-year-old photograph could be. I wish you could see it too.

Whoever she is, wherever she’s gone, she has my gratitude.

11 thoughts on “girl on a swing, with red boots

      • That’s so kind of you to say, Greg. I’m not especially active on social media anymore, but the link to my artwork is in my @theslenderbranch profile on IG. I enjoy your writing so much. Still trying to figure out how to read your Edgar Award-winning story though. Maybe you can help with that!

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  1. What a lovely moment to recall, Greg. I hope she is happy, and healthy, and living an excellent life.

    I would like to paint the picture that your description evokes…it is so vivid in my mind. Thank you for that.

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  2. it’s interesting that you went down that dark suspicious path. i, for one, totally understand and appreciate the thoughtful observation. it is similar to the type of pause one takes when passing a beautiful flower and bending down to breathe in its perfume. 
    you are a wonderful photographer greg and I always enjoy when you share your gift. this time i am glad that you held back because your verbal description of the girl and thought process of denying the world of a photographic image permitted me to paint my own picture and, no offense, it is one that i will not soon forget. 
    she and you both have my gratitude.

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    • Thanks, Dianne. That “dark suspicious path” is, sadly, based on experience. Years ago I was shooting some photos in a park where some youth soccer league was taking place. Although I very deliberately did NOT shoot any photos in the direction of the soccer pitch, the father of one of the kids yelled at me and accosted me, accusing me of photographing the kids and demanding to see my photos.

      I told him I hadn’t photographed the kids, but refused to show him my photos. He threatened to call the police. I told him I’d wait for the police to show up. A few other parents rallied around him, suggesting I was some sort of pedophile. There were some threats of violence. I tried to stay polite, but told them I refused on principle to show my photos UNLESS they agreed they had no right to see them. Which they refused to do. I told them repeatedly I was willing to wait for the police. Apparently nobody actually called them, because eventually the parents all drifted off.

      I never went back to that park. I’m sort of ashamed I let those parents bully me into avoiding that park.

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  3. This is such a lovely memory Greg. I think some moments aren’t meant to be photographed. They are simply there for us to enjoy. If I close my eyes, I can see her swinging and that’s enough.

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    • It IS enough. Mostly. It could have been a lovely photo. Maybe. But that’s the thing, isn’t it–would the photo ever match my imagination? Is my memory even accurate? Or have I romanticized it over the years?

      I don’t know. Maybe that semi-regret at NOT taking the photo has impressed the image more indelibly in my mind.

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