walking thinking plotting shooting photos

I wanted to take a walk yesterday morning. However, according to my weather app, it was only 26F outside (23F with the light breeze, which really isn’t a great difference, but still). Here’s a true thing: I lack the moral fortitude required to force myself outside when it’s that cold. I’ll generally do it, but sometimes it takes a lot of persuasion to convince myself that it’s worthwhile. Sometimes I have to trick myself into it. Which is what I did yesterday.

You know how your ex will sometimes ask you if you want to ride along while she runs and errand? And sometimes you do, and sometimes you really don’t, and sometimes you say “How about if I ride along part of the way, and then you drop me off somewhere so I have to walk home?”. Which, again, is what I did yesterday morning. You may find this hard to credit, but my ex was surprisingly willing — I might even say eager — to drop me off somewhere along the way in the 26F cold so I’d have to walk home.

Which is why I found myself on foot on a bike path — one of those long, straight, unforgiving bike paths that used to be a railroad track — at nine-something in the morning. My weather app was correct; it totally felt like 23F.

I like to walk. Not as a form of exercise; I resent the entire notion of exercise. I like walking as a form of meditation (I totally suck at sitting meditation, but thanks to Thich Nhat Hanh walking meditation works for me). I also like walking as a vehicle for clear thinking. Yesterday morning I wanted to think about the ending to a story I’ve been working on. Like a lot of writers, I don’t even start to write a story until I have a general sort of ending in mind. Knowing the ending gives you a lot more control over every other aspect of the writing process.

That said, I rarely use the exact ending I envisioned when I began writing. The act of writing almost always opens up other potential endings. I’ve reached that point in the story where I need to solidify the ending. So that’s the primary reason I was out there, walking on a bike path in the cold. I was thinking and plotting.

I say I don’t walk for exercise, and although that’s true it’s also a little less than true. I have a knee injury that benefits from…well, exercise. I could do all that lifting weights and grunting business, which can be enjoyable. But all I need to do is keep the muscles attached to my knee in fairly decent shape. Walking is low impact, as they say. Which is ironic, since it was impact that caused the initial knee injury.

I used to be a counselor in the Psychiatric/Security unit of a prison for women. I had an inmate — a short, round woman about 5’5″ and probably 260 pounds that was mostly muscle — who suffered from a whole constellation of emotional and psychological issues, all of which were exacerbated by the fact that she also suffered from a form of temporal lobe epilepsy that’s associated with aggression and violence. She was in prison for basically destroying a house. Mostly with her bare hands.

When I accepted the job, she was being housed in an old-school St. Louis cell — one of those classic jail cells you see in the movies, with the iron bars and a metal bunk bolted to the floor — in a separate part of the prison. The first time I went to see her they handed me a raincoat, because she tended to hoard her urine in cups and throw it on the staff. Every couple of weeks they had to replace her mattress because she literally ripped them up. Again, with her bare hands. And then she’d urinate on the remains.

Eventually I was able to get her treated for the epilepsy and moved into the general population, but during the first few months on the job I insisted on being present and helping the security staff whenever they had to physically interact with this woman. On one of those early occasions I decided to help replace her mattress. They unlocked the cell, I rushed in, and made a lovely Errol Flynn leap onto the metal bunk. There wasn’t any mattress on it, since she’d ripped it up and peed on it. But the metal bunk was also soaked in urine. Urine, it turns out, makes a metal bunk slippery, so my Errol Flynn leap turned into a mad slide, which resulted in my leg getting semi-trapped between the bunk and the wall. By itself that probably would have been okay, but the inmate grabbed me by my hair (and yeah, I wore it long) and proceeded to yank my head down and bang it against the floor. That made my knee bend in an unfortunate and unnatural way. Which is one of the reasons I need to walk. You know, exercise.

It’s also why I tend to hobble a tad when I begin a walk and hobble a tad more at the very end of a walk. The middle bits, though, are usually pretty enjoyable. Yesterday’s walk home took me through a sort of semi-rural area, into a semi-industrial area, and eventually into a suburb with a wee little park. By the time I left the park — still maybe half a mile from home — my knee was moderately painful. But at least it didn’t seem so cold.

I’m still going to claim insist that exercise is a secondary reason for the walk. The primary reason was to work on the plot resolution. The story is about a pipefitter who supplements his income with the occasional spot of burglary. In one of said burglaries, the guy came into possession of an expensive camera — a Leica M Type 246, which is a purely monochrome digital camera. You might think expensive camera gear would be a dream come true for a part-time burglar. It’s not. That stuff is actually hard to move. Pawn shops won’t touch it without some proof of ownership, because folks who own a camera body worth around US$7000 tend to have insurance, which means the serial numbers have been registered, which further means burglary squads will be nosing around. Camera stores that stock used gear won’t touch it for much the same reason, not to mention they hate camera thieves. You might be able to sell a hot Leica for a few hundred bucks it to a buddy — if you happen to have a buddy who only shoots in black-and-white. Most part-time burglars don’t have that sort of buddy. So the character in the story decides to keep the camera and play around with it. He gets in trouble shooting photos in a park where there are kids playing.

There’s more to the story than that, of course, but that’s the McGuffin that sets the events of the story world in motion. I’m basing it in a very small way on a personal experience. I was never a pipefitter or an occasional burglar, but I did once get in trouble for shooting photos in a park where kids were playing. I hadn’t taken any photos of any kids, but one of the parents apparently thought I might have, so he decided to front me off, demanding I show him the photos on my camera.

Here’s another true thing: I’m a firm believer in civil rights, which includes the rights of photographers. On the other hand, I dislike fuss. So I tried to stand up for my rights without creating more fuss. I told the guy I’d let him see the photos IF he admitted he had no right to see them. He got angry, continued to demand to see the photos, and threatened to call the police. I told him I’d wait for the police, and said I’d only show the photos to the police under the same condition — an admission they no legal right to see the photos. Eventually the guy agreed he had no right to see the photos and I showed them to him. There were, of course, no photos of kids. He walked away without any sort of apology. It was an ugly situation that could have become even uglier. Which is always great fodder for a story.

That business about refusing to show the photos on my camera (or cellphone)? I’ve actually had to do that a few times. On rare occasions I’ve been stopped — usually by a suspicious civilian or occasionally it’s by a security guard — and questioned about why I’m shooting photographs. I was stopped once by a plainclothes Homeland Security agent because I was shooting photos along a railroad track that happened to be by a building used by Homeland Security. And almost exactly a year ago I was stopped by a local uniformed police officer. The Homeland Security guy was mostly concerned that I might have taken a photo that included the license tags of vehicles in the parking lot. The uniformed officer was responding to a complaint. Both of them were professional about it.

I don’t blame folks for wondering what the hell I’m up to when I’m shooting photos. But at the same time, I refuse to abandon my civil rights. Offering to show the photos in exchange for an admission that I’m not legally obligated to do so is my compromise. I suspect the only reason it works is because I’m a white guy. I may look like a thug, but at least I’m a white thug. That radically reduces the odds that I’ll get arrested. Or shot.

Today is Thanksgiving in the U.S. I’m properly thankful that I can live a life that allows me to just take a walk on any day I feel like it, that I don’t have to worry about getting shot for exercising my civil rights, that Philippe Kahn invented the cellphone camera, and that despite years of neglect and abuse my knees still work.

4 thoughts on “walking thinking plotting shooting photos

  1. Pingback: Mount Doom and the Tuscan Sun | gregfallis.com

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